C. E. Razlogov (Director, The Institute of culturology)
Paradoxicality of a notion "electronic cinema": previously, by tradition, the cinema was a priori considered film-based and theatrical opposing electronic media - TV and video.
The etymology of a notion "cinema" and its applicability to electronic and, in particular, to digital technologies.
The dialectics of technical innovations and screen creative possibilities.
Sound cinema.
Stereo - the image and a sound.
Computer animation.
Electronics as assistance to film-based cinema.
Electronic editing.
Electronic special effects.
New forms of creativity and their influence on motion picture art.
Video-Art.
Video clip.
Video games.
TV advertising.
Net-Art.
Updating of genres.
Adventure film.
Space thriller.
Horror film.
Catastrophe film.
Action film.
Crisis of credence in adequacy of image and sound recordings.
Convergence and aesthetics of global manipulations.
Possible aesthetic consequences of the future revolution in the film distribution system (Cannes 2002).
